miércoles, 29 de abril de 2015

Eska in Bandcamp


Playing the Changes

ESKA by Jaroslav Moravec
“I can definitely say that I’m excited for ESKA right now. I’m a new mum and I’m finally releasing music as an artist. Yes, I’m enjoying the changes.”
Eska Mtungwazi is something of a phenomenon in the U.K. music scene. Hailing from Lewisham in South East London, this multitalented musician, songwriter, arranger, and—most importantly—vocalist, has become a go-to person for many of the most discerning artists and producers around. For the best part of two decades Eska has, often somewhat anonymously, lent her tones to a myriad of musical offerings, including work from The Cinematic OrchestraMatthew Herbert, Zero 7, and Grace Jones. She’s seen very much as “the singer’s singer,” and one whose fans have been desperately waiting for far too long to hear her full-length album. The wait is over. Eska’s self-titled, full-length, solo debut album is out now on Naim Edge Recordings.


TO READ THE FULL ARTICLE:

http://blog.bandcamp.com/2015/04/21/playing-the-changes/


domingo, 26 de abril de 2015

Daara J Family - Bayi Yoon

Kaki King en Bandcamp

From the Bandcamp blog:

http://blog.bandcamp.com/2014/11/11/a-look-back-to-move-forward/

A Look Back to Move Forward

Kaki King
“I’m glad that even if that particular technique—when I use body percussion and all sorts of crazy guitar—drove my career to be on television, I have a body of work worth releasing that doesn’t have anything to do with that.”

Metallic, frenzied finger-picking may have become Kaki King’s impressive trademark, but the guitarist and singer is quick to prove that the bulk of her catalog has nothing to do with the style that made her famous. Now a decade into her career, King is releasingEverybody Glows: B-Sides and Rarities, a collection of seemingly forgotten recordings gathered from various live shows across the world and numerous studio sessions. On the eve of its release, King took a minute to reflect on Everybody Glows, why she’s thrilled about the buried treasure deep within the lyrics of these tracks, and what it says about her growth as an artist as she begins the next phase of her career.

sábado, 25 de abril de 2015

The Occasional Flickers - Rucksack

Milan - - Karsh Kale & Midival Punditz (Live at Paleo Fest 09)



3 de marzo 2015

Described by Billboard Magazine as a “visionary composer and producer”, Karsh Kale is one of global music’s brightest stars. In the past 12 years as a solo recording artist, producer, composer, live performer and DJ, Karsh has set the world of electronic fusion on fire and has helped to create a genre of new music and culture that continues to influence an entire generation. His body of work has been cause for fans and critics alike to claim Kale as a pioneer and a trail blazer, not only opening doors for his own career but for an entire scene to emerge in the world of electronica and fusion music. Karsh Kale has also developed a reputation as a genre bending collaborator and a world renowned tabla player and musician, exploring the worlds of electronica, Indian classical music, rock, jazz fusion and hip hop which has led him to work with some of the most renowned artists from around the globe. Kale continues to reinvent his ever-evolving sound and has established himself as one of the worlds most sought after fusion artists. Read more »

http://karshkale.com/

jueves, 23 de abril de 2015

Japanese Wallpaper - Forces (Ft. Airling)

The Dinner Party Download Episode 301: The 2015 All-Music Episode

Credit: Janet Hansen / janet-hansen.com

http://www.dinnerpartydownload.org/episodes/301/

"Just in time for the last Coachella weekend and Record Store Day, it’s a special ALL-MUSIC EPISODE! We’ve got tunes and tales from Nancy Sinatra, Miguel, Carrie Brownstein, Weird Al Yankovic and Steve Martin. Also, David Crosby chats about crafting his classic California album… Classical maestro Gustavo Dudamel declares his love for all things Aerosmith… Todd Snider gets his wallet stolen by Tony Bennett (well, kinda)… Lars Ulrich bows to the crowd… And Jenny Lewis and Benjamin Booker pitch in as dinnertime DJs."

The Sidekicks - "Everything In Twos"

martes, 21 de abril de 2015

Reginald Omas Mamode IV - Keep on Walking

Nick Höppner

http://www.residentadvisor.net/podcast-episode.aspx?id=463

Super-smooth house from the Ostgut Ton mainstay.



“Nick Höppner has a lot of obvious credentials—for starters, he’s a Panorama Bar resident and celebrated producer on the club’s label, Ostgut Ton, which he managed for years. But the thing that really makes him extraordinary is harder to define. For lack of a better term, it has to do with sincerity. As a DJ and a producer, Höppner’s sound is defined by an emotional honesty that’s rare in dance music. You can hear it in the soaring, bittersweet melodies of his new album, Folk. And you can sense it on the dance floor when he pulls out something like, say, Underworld’s “Two Months Off"—this is a man expressing himself fully and unabashedly through music. And that’s what you get on RA.463, a mix Höppner says was made to showcase his club DJ style as accurately as possible.”

Super-smooth house from the Ostgut Ton mainstay. 
“Nick Höppner has a lot of obvious credentials—for starters, he’s a Panorama Bar resident and celebrated producer on the club’s label, Ostgut Ton, which he managed for years. But the thing that really makes him extraordinary is harder to define. For lack of a better term, it has to do with sincerity. As a DJ and a producer, Höppner’s sound is defined by an emotional honesty that’s rare in dance music. You can hear it in the soaring, bittersweet melodies of his new album, Folk. And you can sense it on the dance floor when he pulls out something like, say, Underworld’s “Two Months Off"—this is a man expressing himself fully and unabashedly through music. And that’s what you get on RA.463, a mix Höppner says was made to showcase his club DJ style as accurately as possible.”

sábado, 18 de abril de 2015

Brazilian Hip Hop – American Rhythm



"The favelas of Rio de Janeiro in Brazil are witnessing a new trend, influenced by American music and culture. Negro X, a hip-hop group from the Vidigal favela, claims to have found the right blend of their culture with global rhythms. From video journalist Edgar Costa in Brazil."

jueves, 16 de abril de 2015

DjeuhDjoah / Lieutenant Nicholson - "Cupidon"

Daniel Meteo in dublab

http://dublab.com/daniel-meteo-live-set-albumlabel-preview-03-31-15/




daniel_meteo
"Berlin’s Daniel Meteo has been producing forward thinking electronic music for years. dublab listeners might know his dub influenced work with Tom Thiel under the name Bus. Open eared music fans might have also encountered his labelMeteosound which focused on releasing Daniel’s music along with record from a host of friends and collaborators. We are happy to have had Daniel Meteo appear on dublab to play a live set and present tracks from his new label albumlabel. Enjoy this archive!"
Daniel Meteo - Live Set & albumlabel preview (03.31.15) 

Play

lunes, 13 de abril de 2015

Alfresco Love Sounds, by Tom Ward



http://newlos.bandcamp.com/album/alfresco-love-sounds

"We are pleased to present Tom Ward's 'Alfresco Love Sounds.' Tom is a 22-year-old multi-instrumentalist from Birmingham, England who writes dreamy, psychedelic pop tunes seemingly in his sleep. When one thinks of Great Britain, they typically imagine grey skies and damp cobblestone, but Tom Ward's music paints a picture of life in the UK that feels and sounds far more like a sunny day in California. The sounds of birds echo in the background and you can almost smell the sea in the distance. Tom is truly a one-man band and his brand of songwriting feels both modern and timeless."

domingo, 12 de abril de 2015

The Dinner Party Download, episode 300




"To celebrate our 300th episode, we’re telling the DPD origin story! You’ll hear pieces ofour first-ever episode (yes, spooky)… highlights from format-busting conversations with Spike Leeand Elaine Stritch… Advice (and jeers) from our public radio peers…. Behind-the-scenes tales that we’ve never shared before… And a chat with two very special guests, without whom Brendan and Rico literally COULD NOT EXIST! It’s everything but the kitchen sink (and cupcakes)."

sábado, 11 de abril de 2015

Vetiver


http://dublab.com/vetiver-current-carry/

Vetiver‘s new record “Complete Strangers” sounds the way it was produced. An easy going, introspective collection of songs that opposite to its title, includes close friends and long time collaborators (including Thom Monahan and Bart Davenport) Produced somewhere between Los Angeles and San Francisco, the lose feeling on these songs come with some refined synth, guitar and rhythm work so elegant it blends in naturally with the imagery of the words.
Vetiver - Current Carry 





jueves, 9 de abril de 2015

Archive of Contemporary Music


Radio Free Culture #45: Two Copies of Every Record: The Archive of Contemporary Music with Bob George

photo by Eilon Paz. Used with permission.
WFMU and the Free Music Archive are proud to bring you a fresh episode of Radio Free Culture, a weekly podcast exploring issues at the intersection of digital culture and the arts. 
In this episode, Cheyenne Hohman, RFC host and current Director of the FMA, spoke to Bob George, the Director (and a founder) of the Archive of Contemporary Music, currently located in NYC, about the collection and a new partnership with the Internet Archive
Check out the podcast on WFMUPRX, or subscribe to the Radio Free Culture on iTunes. Or listen here: 

U. Srinivas - Gajavadhana



3 de diciembre 2014

Totalmente genial. Srinivas tocaba la mandolina eléctrica sin trastes (fretless).  Conozco su música gracias a la discográfica Real World de Peter Gabriel.



From Wikipedia, the free encyclopedia

U. Srinivas
U. Srinivas 2009.jpg
Shrinivas performing in Pune, January to December 2009
Background information
Native nameఉప్పలపు శ్రీనివాస్
Born28 February 1969
PalakolWest Godavari Dist,Andhra Pradesh, India
OriginAndhra Pradesh, India
Died19 September 2014 (aged 45)
Chennai, India
GenresIndian classical music
Occupation(s)Musician
Instrumentselectric mandolin[1]
Years active1978–2014
LabelsReal World Records
Websitewww.mandolinshrinivas.org
Uppalapu Shrinivas (Teluguఉప్పలపు శ్రీనివాస్ 28 February 1969 – 19 September 2014) was a virtuoso Indian mandolin maestro, prodigy, trailblazer and composer belonging to the classicalCarnatic musical tradition of Southern India. Recognized worldwide as a colossus and the rarest of musical geniuses, Shrinivas is regarded as the Mozart of classical Indian music.[2] Shrinivas pioneered the introduction of the mandolin, a western instrument, into classical Carnatic music, because he fell in love with it as a five-year old, in the same manner as three much older musicians, Varahappa Iyer, Baluswami Dikshitar, and Vadivelu, had introduced the violin into Carnatic music, two hundred years ago. There is a major difference in their contributions: cognoscenti and leading musicians accepted Shrinivas’s mandolin when he was about nine, owing to his astounding virtuosity and sheer genius, whereas it took about a hundred years for the violin to be thus accepted.[3][4] A prodigy, he made his debut in 1978, at the age of nine, and since he was the first musician to adapt and play the mandolin in the Carnatic music style, he came to be popularly known as Mandolin Shrinivas.[5] “Eddie van Halen, eat your heart out,”Beatle George Harrison reportedly said in 2001, having stumbled upon one of Shrinivas's albums. "George Harrison's favourite piece of Indian music was Mandolin Ecstasy, an album recorded by a child prodigy from Madras called U Shrinivas at the age of 13. It was, like, my dad's favourite album of all time," says (Dhani) Harrison. "U Shrinivas is 27 now and still making music. He plays an electric five-string mandolin, he's fantastic...." [6] Over the next four decades, he toured across the world, and collaborated with John McLaughlinMichael Nyman, and Michael Brook.[7] After Pandit Ravi Shankar, no classical Indian musician enjoyed the kind of global reach and worldwide audience that U. Shrinivas has: at a very young age he was internationally viewed as the successor to Pandit Ravi Shankar.[8] Shrinivas's gift was so prodigious and baffling from the very moment he gave his first performance that it inevitably led to his being compared to the world's greatest prodigies: "Some of you have heard or read about exceptionally gifted children, our own Mandolin Shrinivas, Sir Yehudi Menuhin, Beethoven, Sir Isaac Newton, Picasso, Madam Curie, the list is endless."[9] (The Hindu, Sunday, May 3, 1992)

miércoles, 8 de abril de 2015

At Home In Space - Fila Brazillia



WARNING! THIS MUSIC IS WAY TOO COOL. DO NOT LISTEN TO IT. MOVE ON.


Fila Brazillia















Fila Brazillia is the electronica collaboration of Steve Cobby and David McSherry from Kingston upon Hull, Yorkshire in North-East England. They play electronica, ambient, techno, rock, funk and dub, though the music is often described by others as ‘Downtempo’.
Formed in 1990 their early releases on Pork Recordings (also based in Hull), Old Codes New ChaosMaim That TuneMessBlack Market GardeningLuck Be a Weirdo Tonight and Power Clown soon followed. Later, after creating their own music label with Sim Lister (Twentythree Records) in 1999, they released further albums A Touch Of ClothJump LeadsThe Life And Times Of Phoebus Brumal,Dicks and Retrospective.

Posteado originalmente el 29 de agosto 2014

martes, 7 de abril de 2015

Terry Gross entrevista a Philip Glass

http://www.npr.org/blogs/deceptivecadence/2015/04/06/397832333/philip-glass-on-legacy-the-future-its-all-around-us“When composer Philip Glass started performing his own music, a lot of people didn’t know what to make of it. Some people thought it sounded like the needle of a record was stuck in a groove, repeating over and over again. Some people thought it was simplistic. Some thought it was a joke. Glass says that in the ‘70s, audience members threw things at him while he was performing.
“
“When composer Philip Glass started performing his own music, a lot of people didn’t know what to make of it. Some people thought it sounded like the needle of a record was stuck in a groove, repeating over and over again. Some people thought it was simplistic. Some thought it was a joke. Glass says that in the ‘70s, audience members threw things at him while he was performing."

Bola Sete



12 de septiembre 2014


El disco Ocean del extraordinario guitarrista brasileño Bola Sete salió originalmente en 1975 en la discográfica Takoma. En 1981 fue relanzado por Lost Lake Arts, una subsidiaria de Windham Hill dedicada a rescatar del olvido grabaciones de música instrumental meritoria de artistas como George Winston, Shadowfax, Modern Mandolin Quartet, Paul Horn, y los guitarristas Robbie Basho, Pierre Bensusan y John Renbourn.

Dice la Wikipedia sobre Sete, cuyo nombre real era Djalma de Andrade:

Born in Rio de Janeiro, Bola Sete's name means "Seven Ball". In Brazilian billiards, the seven ball is the only black ball on the table, and Bola got this nickname when he was the only black member of a small jazz group.[1] He studied guitar at the Conservatory of Rio and he started performing with his own sextet and local samba groups while he was still a student. His early influences were guitarists Django Reinhardt,Charlie ChristianBarney Kessel, and Oscar Moore (of the Nat King Cole Trio), while he was also captured by the sound of the big bands that were touring South America at that time (Dizzy Gillespie, Tommy DorseyWoody Herman). His career started in 1952, where he played various clubs and hotels around Italy for four years. Then, he returned to Brazil and started touring all of South America, during which time the manager of the Sheraton hotels noticed him and decided to bring him to the US to play in the hotels. He played for a while in New York's Park Sheraton, later moving to San Francisco to play in the Sheraton Palace. Dizzy Gillespie was staying there at the time and listening to Bola Sete playing every day. When Gillespie decided to bring his pianist Lalo Schifrin to the hotel, he discovered that Lalo and Bola had already met and played together in Argentina. This meeting was the beginning of Bola's success in the US. In the fall of 1962, Gillespie took the guitarist to the Ninth Annual Monterey Jazz Festival, where he enjoyed a huge success.[1] After that, he toured for a while with Gillespie and finally returned to San Francisco, where he joined the Vince Guaralditrio. Bola was already well known in the US, and his partnership with Guaraldi yielded several well-received recordings. After staying for a couple of years with Guaraldi, Bola formed his own trio with his fellow Brazilians Sebastian Neto (bass) and Paulinho (drums). With his own trio, he appeared at the Monterey Jazz Festival in 1966 and released an album of his performance, which peaked at #20 on the US Jazz chart.[2]

viernes, 3 de abril de 2015

Bandcamp: Future Bones

http://bandcamp.com/?show=120

Bandcamp Weekly show illustration
00:48 / 01:30:13

Bandcamp Weekly Future Bones

Featuring fresh tunes by soul & gospel legend Mavis Staples, plus Norway's Jagajazzist. We air killer hip-hop from Oddisee, L'Orange & Jeremiah Jae, and special guest J-Live. Also stopping by is 22-year-old Cuban singer Daymé Arocena. And hear new gems from Bells Atlas, Twit One, and No Joy.
Hosted by Andrew Jervis. Illustration of Daymé Arocena by Oliver Barrett.

The Dinner Party Download interviews Aubrey Plaza again

thedinnerpartydownload:We had so much fun interviewing former “Parks and Rec” actress Aubrey Plaza (we’re still sad about it ending too). She talked to us about her new movie “Ned Rifle” and Aubrey tells us about the time she hallucinated on anti-malaria medication. Also, stop labeling her, America!(Actually, her interview is really fun
"We had so much fun interviewing former “Parks and Rec” actress Aubrey Plaza (we’re still sad about it ending too). She talked to us about her new movie “Ned Rifle” and Aubrey tells us about the time she hallucinated on anti-malaria medication. 
Also, stop labeling her, America!"
(Actually, her interview is really fun
(Source: mattsgifs)

miércoles, 1 de abril de 2015

Sylvan Esso: NPR Music Tiny Desk Concert



It's hard to believe that it hasn't quite been a year since the first Sylvan Esso album came out. The odd yet perfect marriage of Nick Sanborn's electronics with Amelia Meath's voice feels like a familiar friend by now. And yet seeing these songs performed softly — and captured in the light of day — made them feel fresh and lovable in new ways.

To keep things fresh and interesting, Sanborn brought a bunch of new gear to the Tiny Desk; it seemed a bit bewildering to him for a bit, but also inspiring. I think that's what makes this combination work so well: Meath and Sanborn inspire one another. You can see it in their eyes and in their smiles, and it comes out in their playing and dancing. It's enchanting music, performed wonderfully.


-- BOB BOILEN

Mad professor: Great interview, great music

Originally posed on 31 de enero 2014 / January 31 2014

http://dublab.com/mad-professor-interviewed-by-tom-chasteen-of-dub-club-11-13-13/




Mad Professor – Interviewed by Tom Chasteen of Dub Club (11.13.13)


11_13_13_mad_professor_interview
Dub Club visionary Tom Chasteen invited the legendary Mad Professor into the dublab studio to share insight into his creative process and tales of his illustrious history blazing echo trails. Arguably the most famous producer in dub’s second wave, Mad Professor is a consummate experimentalist known to melt songs into genius deconstructions unrecognizable from their original forms. He is also a fiercely independent creator who has been releasing albums on his own Ariwa label for over three decades. When he’s not brewing wild formulas in his UK studio bearing the same Ariwa name, Mad Professor tours the world performing live multi-track dub mixes heavy enough to shake the roofs off any village. Thanks to Tom Chasteen for bringing Mad Professor into the dublab studio. We hope you enjoy their highly inspiring session of sound and conversation.
Mad Professor - Interviewed by Tom Chasteen of Dub Club (11.13.13)