lunes, 10 de marzo de 2014

RA.405 Galcher Lustwerk

http://www.residentadvisor.net/podcast-episode.aspx?id=405

Galcher Lustwerk's vocal style is reminiscent of the literary "iceberg theory"— leaving certain things unsaid is more powerful than stating them. Combining just a few well-chosen words with stripped-back house beats has been a potent signature sound for the White Material artist. This approach was showcased last year on his debut single, Tape 22, and then on his 100% Galcher mixfor Blowing Up The Workshop, which RA writers voted theirfavourite online mix of 2013. "It started from trying to make rap records," he told us last year. "I became more and more interested in using words to communicate ideas—but only inferred ideas, not explicitly explained ones." 

This month the US producer will release his second solo EP, a vinyl-only effort for UK label Tsuba Limited. Galcher's RA podcast offers a glimpse into his wider inspirations, and it's little surprise that vocals play a central role. Recorded in mixtape-style, spoken-word interludes and raps are interspersed with experimental cuts and a few of his unreleased tunes. 

domingo, 9 de marzo de 2014

Great Rita Moreno interview on NPR

http://latinousa.org/2014/03/07/rita-moreno/

Rita Moreno is perhaps the most acclaimed Latina actress alive today. She’s had love affairs with Marlon Brando and Elvis Presley. She’s starred in American classics like West Side Story, Oz and numerous theater productions, films, and TV shows. But in her interview with Maria Hinojosa, she reveals the nagging self-doubt she’s struggled to overcome and the overwhelming feeling of receiving lifetime achievement awards.

7545_10152169134678394_768174505_nMs. Moreno was born Rosa Dolores Alverio in Humacao in a small town near the Puerto Rican rain forest. At age 5, she moved with her mother to New York and began dance lessons making her Broadway debut at just 13. She signed her first movie contract with MGM shortly after. Moreno has won the Emmy, Grammy, Oscar and Tony Awards. In June 2004, Ms. Moreno was awarded The Presidential Medal of Freedom by President George W. Bush. Her book, Rita Moreno: A Memoir, is a New York Times Bestseller.


Photos courtesy of the Rita Moreno Archives and Latino USA staff

sábado, 8 de marzo de 2014

A great and hilarious dialogue, Alec Baldwin interviews Rosie O'Donnell

http://www.wnyc.org/story/299360-rosie-odonnell/

Here's The Thing(Mary Ellen Matthews)

Episode #44

Rosie O'Donnell

« previous episode | next episode »

Monday, June 24, 2013

Play
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This week, Alec sits down with Rosie O’Donnell who says she “never wanted to be a talk show host …  I wanted to be on Broadway…I wanted to be a Bette Midler backup singer, one of the Harlettes.”
And for over three decades, Rosie has done a lot of things – she’s been a standup comic, a Star Search contestant, an actress, a talk show host, a philanthropist, an activist, a magazine editor, a blogger, a Broadway and television producer, and above all, a mom to five. The latest child, Rosie tells Alec, "rebirthed" her.
On changes in the acceptance of gay actors during the arc of her long career now, she says, "To think that in my lifetime, in my career, that you can be an out performer/actor playing against type – Neil Patrick Harris playing a womanizer on that show, being out and married with twin boys – and it doesn't hurt your career. It doesn't do anything. So in a way it's the most beautifully astounding, inspirational thing that I can think about in my 51 years of living."

HOSTED BY:

 Alec Baldwin

PRODUCED BY:

 Emily Botein and Kathie Russo

Pharrell Williams - Happy (Official Music Video)

Pharrell Williams featured on NPR



Pharrell, sporting more conventional headwear.
Pharrell, sporting more conventional headwear.
Mimi Valdés/Courtesy of the artist
Pharrell Williams, who frequently goes by just his first name, is the sort of pop star whom many people would like to view as a friend. Emerging from hip-hop, he makes charming recordings that suggest a deep appreciation of pop, soul and R&B music extending at least as far back as the 1960s. To hear Pharrell on his new album G I R L, you'd think his world consisted of grooving on catchy beats and flirting with women. It's a lightweight image that draws gravitas from his prolific work...
TO READ THE FULL REPORT:

miércoles, 5 de marzo de 2014

NPR's Alt.Latino does a whole show on 'saudade'

Gilberto Gil, pictured here on the cover of Luar (A Gente Precisa Ver o Luar), is one of the many artists we listen to this week to understand the concept of "saudade."
Gilberto Gil, pictured here on the cover of Luar (A Gente Precisa Ver o Luar), is one of the many artists we listen to this week to understand the concept of "saudade."
Courtesy of the artis
I've always been fascinated that there are certain words with no direct equivalents in other languages. It goes to the idea that life is so varied and complex, it will spawn words as distinctive as snowflakes.

The natives of Tierra del Fuego, Argentina have the word mamihlapinatapai for a look shared between two people when both are wishing the other would do something neither wants to. In Thai there is greng-jai — when you don't want someone to do something for you because it would be a bother for him or her.

Perhaps my favorite of these elusive words is saudade, a Portuguese and Galician term that is a common fixture in the literature and music of Brazil, Portugal, Cape Verde and beyond. The concept has many definitions, including a melancholy nostalgia for something that perhaps has not even happened. It often carries an assurance that this thing you feel nostalgic for will never happen again. My favorite definition of saudade is by Portuguese writer Manuel de Melo: "a pleasure you suffer, an ailment you enjoy."

Since it comes up so frequently in the music we listen to on our show, we decided to dig deeper. Joining us to explain the concept are two musical masterminds: jazz singer Luciana Souza and producer Beco Dranoff. Both do a great job of explaining what saudade means playing some of their favorite tracks. Since we are wrapping up our Black History Month coverage, it's also a window into the African influence on Brazilian songs.

Even if you can't quite wrap your mind around the word saudade, you can certainly understand it through this music. And please, if you want to add to their explanation of what saudade is, tell us about your own saudade and your favorite songs on the topic in the comments section below.

Fabiano do Nascimento – Live dublab “Sprout Session” (05.26.11)

Posted in Ionosfera on January 27 2014 / Publicado en Ionosfera el 27 de enero 2014

http://dublab.com/fabiano-do-nascimento-live-dublab-sprout-session-05-26-11/



Fabiano do Nascimento – Live dublab “Sprout Session” (05.26.11)


fabiano_do_nascimento
The talented Brasilian guitarist Fabiano do Nascimento is a treasured member of the Los Angeles music community. We’ve been lucky to have him frequently share his masterful playing through dublab many times over the years. Enjoy this set of solo guitar music recorded in the dublab studio a few years back during the Proton Drive. The live portion begins at 36:30 and is preceded by a DJ set of Brasilian vinyl favorites. You can find more of Fabiano’s music on his Bandcamp page.
Fabiano do Nascimento - Live dublab Sprout Session (05.26.11) 

sábado, 1 de marzo de 2014

Patrick Moraz, Bill Bruford - Children's concerto





January 22 2014 / 22 de enero 2014

A remarkable collaboration by two former members of Yes. They were in the band in different time periods. Drummer Bill Bruford was a founding member of Yes in 1968 and stayed until the end of the Close to the Edge recording sessions in 1972. Patrick Moraz played keyboards with Yes from 1974 to 1976. "Children's Concerto" is the opening cut of the album Music for Piano and Drums, which was recorded in October 1983, just one month before the release of their former band's mega-successful 90125 album.

Una extraordinaria colaboración entre dos ex-miembros del grupo Yes. Estuvieron en la banda en periodos distintos. El baterista Bill Bruford fue miembro fundador de Yes en 1968 y se quedó hasta el fin de las sesiones de grabación del disco Close to the Edge en 1972. Patrick Moraz tocó teclados con Yes de 1974 a 1976. "Children's Concerto" es el corte inicial del álbum Music for Piano and Drums, el cual fue grabado en octubre 1983, precisamente un mes antes de que su antigua banda sacara su super-mega-exitoso disco 90125.