A bilingual blog by Carmelo Ruiz-Marrero dedicated to all things fun, like music, cinema, comedy and sci-fi. Contact: ruiz@tutanota.com - Un blog bilingüe de Carmelo Ruiz Marrero dedicado a todo lo que sea divertido, como música, cine, comedia y ciencia ficción. Contacto: ruiz@tutanota.com
miércoles, 30 de septiembre de 2015
Bill Gable - "High Trapeze"
Bill Gable is an American singer-songwriter best known for his distinctive solo albums, “There Were Signs” and “This Perfect Day.” A sophisticated and accomplished songwriter, producer, arranger and multi-instrumentalist, his projects straddle the boundaries between pop, jazz and world music, resulting in a highly personal and evocative body of work. His newest album, “No Straight Lines,” is scheduled for release in April 2015.
Bill Gable’s music has always defied easy categorization. He grew up studying classical piano and cello, has a degree in literature, has travelled widely, and has worked with musicians and studied music from around the world – all of which contribute to his singular style. Singled out for his “superb lyrical imagery” (Billboard) and “exotic grasp of world music” (MAC Report), “it’s the attention to musical detail and the perfect capture of mood with music that make Gable a remarkable artist.” (Jazz Link)
Bill Gable broke onto the scene in 1989 with his album “There Were Signs,” released worldwide by Private Music/BMG (and re-released worldwide by Sony Records in 2013). The album, co-produced with Rob Mounsey (Steely Dan, Paul Simon), blends jazz, Brazilian and Afro-Cuban influences in a colorful musical landscape. Featuring Gable on vocals, guitars, synthesizers and sanfona, the rhythm sections include renowned pop drummers Jerry Marotta (Peter Gabriel, Crowded House) and Jeff Porcaro (Toto, Steely Dan), percussion legends Airto Moreira, Luis Conte (Madonna, Eric Clapton) and Manolo Badrena (Weather Report), with Jimmy Haslip (Yellowjackets, Bruce Hornsby), Mark Egan (Pat Metheny Group) and Octavio Bailly (Tamba Trio, Bossa Rio) on basses. Incomparable jazz trumpeter Lew Soloff (Gil Evans, Blood, Sweat and Tears) adds his distinctive sound on several songs. With elegant arrangements by Mounsey offset by Gable’s rawer rootsiness, the album creates a sound aptly described as “unlike anything on the radio today” (Mac Report), as true now as it was in 1989.
http://billgablemusic.com
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