"Architect showcases a huge breadth in Christopher’s songwriting abilities. Lead singles ‘Say’ and ‘For’ are characterized by their gentleness and warmth, while ‘Garden’ (released as a single with the album) is bright, sunny, irrepressible. On the other side, ‘By’ and ‘Novices’ draw more overtly from Christopher’s interest in electronic music and modern composition. He references The Knife and Arvo Pärt as willingly as Burt Bacharach and The Carpenters. Add to that shades of Talk Talk, Fleet Foxes, Grizzly Bear, The Ink Spots and the classical and choral compositions of Maurice Ravel and Gabriel Fauré, and a picture of the record collection that informs Christopher’s music starts to become clear."
A bilingual blog by Carmelo Ruiz-Marrero dedicated to all things fun, like music, cinema, comedy and sci-fi. Contact: ruiz@tutanota.com - Un blog bilingüe de Carmelo Ruiz Marrero dedicado a todo lo que sea divertido, como música, cine, comedia y ciencia ficción. Contacto: ruiz@tutanota.com
Mostrando entradas con la etiqueta Bandcamp. Mostrar todas las entradas
Mostrando entradas con la etiqueta Bandcamp. Mostrar todas las entradas
viernes, 8 de enero de 2016
domingo, 18 de octubre de 2015
Bandcamp: DIY Hustlers
http://blog.bandcamp.com/2015/10/08/diy-hustlers/

These represent perhaps the dream trajectory of the indie musician: from bedroom project to prestigious record label (and, incidentally, the dream trajectory for Bandcamp, as both Matador and Domino are now on the site). Domino is the home of Animal Collective and Dirty Projectors. Matador is known for everyone from Interpol to Yo La Tengo. And in an ideal iteration of this career arc, Giannascoli and Toledo were noticed not for stunt antics or flooding the world with press releases, but for carefully honing their craft and building dedicated online fan bases. Each delves into the personal and confessional in a distinct musical style—Alex G leans toward the trippy and soft-spoken, Car Seat Headrest is distorted and visceral—but both represent DIY success stories in an ever-shifting industry.
I spoke with the musicians independently over the phone in recent weeks; both were naturally enthused about their new opportunities and in the midst of newly busy press junkets and tours. How does an artist toil away and find that kind of success? And what lessons might these unlikely cases offer for all of the other musicians in the midst of their own careers?
DIY Hustlers

“Don’t put anything out that you’re not 100% sold on. Make sure that you’re recording because you enjoy it and because you really want to. Record it because it’s a need for you…” — Alex G
Not all that long ago, Alex Giannascoli and Will Toledo were passing burned CD-Rs of their music around high schools, hoping to capture the attention of a few fellow teens. They graduated to college, and to releasing music on Bandcamp: Toledo uploaded his first album as Car Seat Headrest in 2010, Giannascoli his first song as Alex G in 2011. Fast-forward a few years and, for each musician, a dozen or so albums. In recent months, both have signed with major indie labels. Today, Alex G releases Beach Musicas his recording debut on Domino Records; on October 30, Matador Records will releaseTeens of Style, Car Seat Headrest’s first album for the label.These represent perhaps the dream trajectory of the indie musician: from bedroom project to prestigious record label (and, incidentally, the dream trajectory for Bandcamp, as both Matador and Domino are now on the site). Domino is the home of Animal Collective and Dirty Projectors. Matador is known for everyone from Interpol to Yo La Tengo. And in an ideal iteration of this career arc, Giannascoli and Toledo were noticed not for stunt antics or flooding the world with press releases, but for carefully honing their craft and building dedicated online fan bases. Each delves into the personal and confessional in a distinct musical style—Alex G leans toward the trippy and soft-spoken, Car Seat Headrest is distorted and visceral—but both represent DIY success stories in an ever-shifting industry.
I spoke with the musicians independently over the phone in recent weeks; both were naturally enthused about their new opportunities and in the midst of newly busy press junkets and tours. How does an artist toil away and find that kind of success? And what lessons might these unlikely cases offer for all of the other musicians in the midst of their own careers?
martes, 28 de julio de 2015
Orquesta Abrazos
Message of Love is a multi-genre, world music project heavily influenced by musical traditions born on both sides of the Atlantic. North and South America, Africa, the Caribbean, and the Mediterranean are all represented on this record, whose track list reflects Abrazos Orchestra's own diversity. The Afro-Latino and Boricua/Nuyorican musical heritage shared by several Abrazos members can be heard throughout Message of Love, whether on the traditional Taino song "Daka Naboria" or the album's uplifting title Reggae track which sets listeners off on their musical journey. In addition to Roots Reggae and Taino folklorica, Abrazos also serves up a blend of Salsa, Cumbia, Blues, Búgalu, Afrobeat, Hip Hop, Jazz, and Soul.
Message of Love is a collaborative album performed by some of New York's most dynamic musicians (most of whom were raised in the five boroughs of NYC) and features a handful of male and female singers and MCs who each add a unique vocal presence to the mix. Except for two songs, the album is composed of original compositions first written by individual orchestra members who quickly developed the trust in each other to share their songs with the the group, who then worked together to bring the music to life.The two cover tunes Abrazos included on the album augment the group's original music by offering up English and Spanish-speaking listeners fresh takes on classic material. "Together" allows Abrazos to pay respect to Ray Barretto (a BIG inspiration for the band) and his message of black, white, and red unity and lay down some some percussion-heavy Barrio Funk. The minimalist rendition of "Si nos Dejan" was a last minute addition sung by Coco Vélez accompanied by Jack Glottman on keys. When Coco cordially accepted Abrazos' invitation to lend her voice to the project, there were several boleros she considered doing before deciding that this song had the right feel and tone. The recording ended up being the final touch the album needed as it provided a powerful elder female presence that was missing prior.
miércoles, 15 de julio de 2015
Patchwork Guilt
http://patchworkguilt.bandcamp.com/album/hand-me-downs-edge-of-indigo
Patchwork Guilt is a figmental band, i.e. a collection of solo bedroom tinkerings that started in 2014. The songs range from folky to poppy to mildly psychedelic, depending on mood and whim.
jueves, 9 de julio de 2015
Music for Dancefloors: The KPM Music Library
http://strut.bandcamp.com/album/music-for-dancefloors-the-kpm-music-library
One of Strut’s classic releases from back in 2000, this retrospective of the revered KPM music library lines up their A-list composers for a carefully curated trip through the funky gems hidden in the KPM archives. Includes tracks by Keith Mansfield, Alan Hawkshaw and Alan Parker with Madeline Bell.
miércoles, 8 de julio de 2015
Mulatu Astatke, jazz de Etiopía
Mulatu AstatkeJimma, Ethiopia
http://mulatuastatke.bandcamp.com/album/inspiration-information-3
"The pioneer of Ethio jazz, Mulatu Astatke developed his sound through studies in the UK during the ‘50s and a series of seminal recordings for domestic label Amha before travelling to New York to record the ‘Mulatu Of Ethiopia’ album. Since collaborating with The Heliocentrics in 2009 for Strut, he has continued recording and is a major draw on the global touring circuit."
Para más música de Etiopía / For more Ethiopian music:
http://ionosferamusic.blogspot.com/search/label/Ethiopia
sábado, 4 de julio de 2015
viernes, 3 de julio de 2015
jueves, 2 de julio de 2015
Tiron & Ayomari
http://tironandayomari.bandcamp.com/album/the-great-new-wonderful
TiRon & Ayomari (a.k.a. T/A) are a duo from Los Angeles who's genre bending sound make them one of the most exciting hip hop groups to emerge in years.
miércoles, 24 de junio de 2015
Pat Thomas & Kwashibu Area Band - Gyae Su
http://patthomasstrut.bandcamp.com/album/pat-thomas-kwashibu-area-band
"Ghanaian highlife legend Pat Thomas with his first internationally released studio album, recorded in Accra. Kwashibu Area Band directors Kwame Yeboah and Ben Abarbanel-Wolff add superb new compositions and re-arrange some of Thomas’ ‘80s compositions for a full live band. Sweet highlife sounds taken in a progressive new direction."
domingo, 21 de junio de 2015
Bandcamp article about Audiotree
http://blog.bandcamp.com/2015/06/16/where-new-music-grows/
In just five years, the Chicago-based boutique music company Audiotree has emerged as a galvanizing force in the indie rock world with its unique, in-studio concert series, Audiotree Live. Currently, subscribers to the session total over 2 million, and recordings from this series have garnered prime TV and film placements. Audiotree Live recently debuted on Bandcamp with an upload of brand new sessions. Going forward, 10–15 freshly recorded Audiotree Live sessions will be available on Bandcamp each month, and back catalog will be added, too.
Audiotree sessions capture the feel of an intimate rehearsal, replete with pristine audio and crisp video. While recording budgets might be shrinking, Audiotree Live offers both emerging and established indie bands powerful assets to build their fan base and monetize their creativity.
viernes, 19 de junio de 2015
La Escollera
http://mynunorthernsoul.bandcamp.com/album/la-escollera-session-two
Session Two in the La Escollera Series - A double CD
Compact Disc (CD)
Session Two of the La Escollera Sessions including tracks and remixes from A Vision of Panorama, Africaine 808, Anne Malone & B.J. Smith, Brown Sabbath, Canyon Ryde, Captain Sunshine, Cherry Garcia, Dos Palos, Faze Action, Javier Bergia, Jonny Nash, Last Waltz and Smoove, Legs Benedict, Linda Perhaps, Matthew Halsall & The Gondwana Orchestra, Prins Emanuel & Golden Ivy, Quantic, Seahawks, Steve Gunn & Mike Cooper, Tempelhof & Gigi Masin, The Greg Foat Group, Tommy Guerrero, Tumi Mogorosi, Woo, Zara McFarlane.
Tucked away on the southern tip of the island in the paradisiacal Ses Salines natural reserve lies La Escollera, an exquisite eatery owned by Dani González, son of the Spanish actor Gaspar ‘Indio’ González. Next to the magical pine forest is the restaurant's beachfront terrace where resident DJs soundtrack sweltering summer afternoons with an authentic Balearic selection of undiscovered musical gems and left-of-centre audio delights that where captured on the first La Escollera CD released to critical acclaim in 2014.
Phil Cooper and Gavin Kendrick return for the new season with a record bag full of treats and treasures, distilled here to perfection is the much-requested compilation La Escollera Session Two, the connoisseur's choice and the musical gem in the heart of the island.
NuNorthern Soul label owner ‘Phat’ Phil Cooper, no stranger to Ibiza, was invited to play across the festive season of 2013 / 2014 and immediately fell in love with the venue and the fact he could play across the board, delving deep into his collection of rare and wonderful music picked up from years of extensive travelling.
Gavin Kendrick has been playing on the terrace which is at the side of the restaurant for several summers, and the space allows him to spin Jazz, Folk, Rare Groove, Hip Hop, House and Soul, to quote him, ‘this special time on the island is perfect for really getting inside your music collection, airing the b-sides and album tracks that rarely otherwise get their chance to shine’.
Tracks and remixes from A Vision of Panorama, Africaine 808, Anne Malone & B.J. Smith, Brown Sabbath, Canyon Ryde, Captain Sunshine, Cherry Garcia, Dos Palos, Faze Action, Javier Bergia, Jonny Nash, Last Waltz and Smoove, Legs Benedict, Linda Perhaps, Matthew Halsall & The Gondwana Orchestra, Prins Emanuel & Golden Ivy, Quantic, Seahawks, Steve Gunn & Mike Cooper, Tempelhof & Gigi Masin, The Greg Foat Group, Tommy Guerrero, Tumi Mogorosi, Woo, Zara McFarlane.
miércoles, 17 de junio de 2015
martes, 16 de junio de 2015
Wildflower
WildflowerLos Angeles, California
Nature-inspired brainchild of producer Andris Mattson.
Other projects include: Moonchild
Other projects include: Moonchild
martes, 9 de junio de 2015
lunes, 8 de junio de 2015
sábado, 6 de junio de 2015
Bandcamp goes to Portland
Portland: Where Young People Go to Make Music
By Laurent Fintoni
Fintoni is a DJ, label owner, writer for FACT magazine, and likes music from Portland (among many other places).
“This town is a great place to move at a slow pace and let your creative ideas germinate and stretch out. Aside from being very much a rock town, there has always been a thriving scene of makers and lovers of experimental music, and there continues to be a willing group of folks excited to hear something different.”— Jesse Munro Johnson, Boomarm Nation Records
Even if you’ve never been to Portland, you’ve probably got an idea of what this northwestern American city has to offer. With a unique mix of urban living and abundant nature, Portland has, in recent years, been stereotyped as a haven for the hip and creative. While nobody likes to have their city reduced to the amusing vignettes that the TV series Portlandia peddles, it’s brought Portland the sort of worldwide attention that any tourist board would die for. In one Portlandia sketch, a character declares Portland to be “where young people go to retire,” and a recent New York Times article, looking at just how long the city can maintain this aura, quotes a resident as saying that while people move to New York for finance, or L.A. for show business, “people move to Portland to move to Portland.” Beyond the jokes, people move to Portland because it affords opportunities to those who want to follow their creative ambitions, in ways that bigger cities like New York or London are increasingly unable to do.
Portland has a thriving music community that stretches across scenes, genres, and styles. Bubbles of nerdy obsession and interest coexist, collaborate and, in certain cases, thrive. For David Greenwald, music critic for The Oregonian and a transplant from Los Angeles, “Portland is known for its indie rock but it’s also an excellent home to folk and roots music, metal and hard rock, jazz, blues, electronic, hip-hop, and all types of musicians.” The city’s creatives have embraced the digital revolution that has engulfed the music industry in the past decade. They create and often manufacture locally and use the internet to broadcast their music and sell their goods from the comfort of their hometown. For Aaron Meola, who looks after the local Dropping Gems label, the city’s “mix of abundant nature and technology” is what keeps things interesting.
http://blog.bandcamp.com/2014/09/30/portland-where-young-people-go-to-make-music/
miércoles, 3 de junio de 2015
Bandcamp City Guide: Oakland
Oakland Bandcamp City Guide
“For the launch of the Bandcamp City Guides, we are pleased to shine a light on a city that’s often made headlines for all the wrong reasons. Although long in the shadows of neighboring San Francisco, Oakland is a city embedded with a rich cultural history. It’s a place that has at times served as home to musicians of heritage and genre as varied as the brilliant jazz pianist and composer Dave Brubeck to seminal West Coast rapper Tupa. There’s also Sly Stone, the Pointer Sisters, Souls of Mischief, Rogue Wave and Del the Funky Homosapien, but that’s almost missing the point. For several years now, we’ve had our sights on Oakland and what we’ve continually observed is a rising tide of musicians as diverse and masterly as this magical metropolis’ musical forebears.
In spite of decades of infamy spurred on by a reputation for violent crime and perilous civic strife, Oakland has pedaled back from the brink to become one of America’s rising capitals for the creative spirit. Never before has the city seen the level of artistic, culinary and musical talent that has in recent years come to define its diverse districts. Apart from being one of the most ethnically varied cities in America, Oakland is considered home to more working artists per capita than any other city in the country.”
In spite of decades of infamy spurred on by a reputation for violent crime and perilous civic strife, Oakland has pedaled back from the brink to become one of America’s rising capitals for the creative spirit. Never before has the city seen the level of artistic, culinary and musical talent that has in recent years come to define its diverse districts. Apart from being one of the most ethnically varied cities in America, Oakland is considered home to more working artists per capita than any other city in the country.”
martes, 2 de junio de 2015
sábado, 30 de mayo de 2015
Omega Supreme, Portland's funky side
From the Bandcamp blog:
http://blog.bandcamp.com/2014/09/30/portland-where-young-people-go-to-make-music/
Despite having spent more than 10 years in the city, Vance has kept the label out of the local mix. He is, however, quick to extol the virtues of Portland when it comes to quality of life and physical pursuits. “What attracted me the most was all of the record stores. There are so many here in Portland, and there’s no tax so whatever the dollar amount is, that’s what you really pay, which is a nice incentive to buy more music.”
http://blog.bandcamp.com/2014/09/30/portland-where-young-people-go-to-make-music/
Omega Supreme
Representing the funky side of the musical spectrum in Portland is Omega Supreme, a label dedicated to modern funk. Founder James Vance moved from San Francisco to Portland in 2001, and the label has received healthy support from the DJ community. He has a roster of worldwide artists, but Vance is keen to keep things simple “so we can be sustainable and continue to put up music regularly.”Despite having spent more than 10 years in the city, Vance has kept the label out of the local mix. He is, however, quick to extol the virtues of Portland when it comes to quality of life and physical pursuits. “What attracted me the most was all of the record stores. There are so many here in Portland, and there’s no tax so whatever the dollar amount is, that’s what you really pay, which is a nice incentive to buy more music.”
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