Mostrando entradas con la etiqueta John Renbourn. Mostrar todas las entradas
Mostrando entradas con la etiqueta John Renbourn. Mostrar todas las entradas

jueves, 26 de marzo de 2015

John Renbourn has passed away today


John Renbourn
JohnRenbournNewBedfordSummerfest2005..jpg
John Renbourn on the Custom House Square stage at New Bedford Summerfest 2005. Photo by Thom C.
Background information
Born8 August 1944
Marylebone, London, England
Died26 March 2015 (aged 70)
Hawick, Scotland
GenresFolk/folk-rockfolk baroque
Occupation(s)Musician, songwriter
InstrumentsAcoustic guitarsitar
Years active1961–2015
Associated actsPentangle,
The John Renbourn Group,
Ship of Fools
John Renbourn (8 August 1944 – 26 March 2015) was an English guitarist and songwriter. He was possibly best known for his collaboration with guitarist Bert Jansch as well as his work with the folk group Pentangle, although he maintained a solo career before, during and after that band's existence (1967–1973).[1]
While most commonly labelled a folk musician, Renbourn's musical tastes and interests took in early music, classical musicjazzblues and world music. His most influential album, Sir John Alot (1968), featured his take on tunes from the Medieval era.

jueves, 30 de octubre de 2014

John Renbourn - Guitarra medieval



From Wikipedia, the free encyclopedia
John Renbourn (born 8 August 1944, Marylebone, London, UK) is an English guitarist and songwriter. He is possibly best known for his collaboration with guitarist Bert Jansch as well as his work with the folk group Pentangle, although he maintained a solo career before, during and after that band's existence (1967–1973).[1]
While most commonly labelled a folk musician, Renbourn's musical tastes and interests take in early music, classical musicjazzblues and world music. His most influential album, Sir John Alot (1968), featured his take on tunes from the Medieval era.
******
The Lady and the Unicorn is the 1970 solo album by British folk musician John Renbourn. On this release, Renbourn ventures into folk rock and medieval music territory. The first four tracks are arranged from the Add MS 29987 manuscript. The cover was taken from the The Lady and the Unicorntapestry.