Mostrando entradas con la etiqueta Trevor Horn. Mostrar todas las entradas
Mostrando entradas con la etiqueta Trevor Horn. Mostrar todas las entradas

jueves, 26 de mayo de 2016

Yes - DRAMA Sessions, Demos & Associated Recordings



From the Wikipedia:

Drama is the tenth studio album by the English rock band Yes, released on 18 August 1980 by Atlantic Records. It is their only album to feature Trevor Horn as lead vocalist, following the departure of Jon Anderson and Rick Wakeman in March 1980 after unsuccessful recording sessions for a new album in Parisand London. Horn was joined by keyboardist Geoffrey Downes, his partner in the new wave band The BugglesDrama was recorded in a short amount of time as a tour was already booked prior to the change in personnel. It marked a departure in the band's musical direction with songs more accessible and aggressive that featured the use of modern keyboards and a vocoder.

The album opens with the ten-minute "Machine Messiah" which, according to Horn, was written in one day.[13] It features some guitar riffs from Howe that reporter and critic Chris Welch described as "unexpectedly heavy metal".[8] White called the song his "baby", putting together much of its structure and rhythm. Squire found some of its passages difficult to play on his bass and thought it was more suited for keyboards, but was encouraged by White to master his parts. Downes rates the track highly, citing its various sections and mood changes.[14] When he was composing his keyboard parts for the song, Downes was influenced by the fifth movement of Symphony for Organ No. 5 by Charles-Marie Widor, a piece that he was familiar with from his youth.[15]
"White Car", recorded in one afternoon, originated from Downes who wrote the music inspired by watching Horn drive his car at the time, a white Stingray, which was given to him by his record company. Horn proceeded to write the lyrics based on pop figure Gary Numan who used to perform with his face painted white, something which is referenced in the lyric "Move like a ghost on the skyline".[13] Downes only played a Fairlight CMI synthesiser on the recording, to test its sampling capabilities: "I tried to simulate an orchestra using these samples, but it was very early days of digital sampling. The bandwidth was very narrow, but that's what gave it all that characteristic 'crunch factor'. We then added the vocoder and Trevor's vocal to the mix".[16]
"Does It Really Happen?" originated from the 1979 Paris sessions, with White coming up with its drum pattern. A version featuring Anderson singing a different set of lyrics was recorded, but it was shelved until it was developed further when Horn and Downes joined and made additions to the song. Horn and Squire wrote new lyrics.[13]
"Into the Lens" was originally completed by Horn and Downes before they joined the group, but Squire took a liking to it and wished to re-arrange it as a Yes track.[17] The track features Downes using a vocoder, further highlighting the band's new sound.[18] A version recorded by Horn and Downes only was later released on the second Buggles album, Adventures in Modern Recording (1981), with the title "I Am a Camera".
"Run Through the Light" features Howe playing a Les Paul guitar, "in the background being very melancholy" with Squire playing a piano and Horn playing bass, something which Horn did not particularly wish to do but Squire convinced him to perform. "I didn't quite know what to play on it ... one day we spent twelve hours playing and working the final bass part".[17] A different version of the song was recorded with Anderson.
"Tempus Fugit" was another song sketched out by the Squire, Howe and White trio in late 1979. Its title is an English translation of "time flies" in Latin. According to Howe, its name was derived from Squire's habit of arriving late to places.[17]
The group produced additional tracks that remained incomplete, but were performed during their 1980 tour: "We Can Fly from Here" and "Go Through This". Recordings of each were released as part of the live compilation album The Word is Live, in 2005. The former was used and expanded into a 20-minute suite on Yes's 2011 studio album, Fly from Here. A third track, "Crossfire", later included on In a Word: Yes (1969–), was used as part of "That, That Is" (from Keys to Ascension).

domingo, 9 de agosto de 2015

The Buggles - We Can Fly From Here Parts 1&2



La canción "We Can Fly From Here" tiene una historia extraordinaria. Fue originalmente un composición de la banda de new wave británica The Buggles en 1980. Poco después sus dos miembros- Geoff Downes y Trevor Horn- se unieron a la banda de rock progresivo Yes y grabaron el disco Drama. El grupo adoptó la canción pero no la grabaron para Drama, sin embargo la tocaron en la gira.

Al final de 1980 Horn y Downes se retiraron de Yes y grabaron un segundo disco como The Buggles, titulado Adventures in Modern Recording, para el cual grabaron su versión de "We Can Fly From Here", que es la que tienen en el enlace de Youtube arriba. La canción no fue incluida en el disco por ser muy larga y hubo que esperar hasta que en 2010 el disco fuera relanzado como CD con esta canción incluida. Para ese tiempo Downes regresó a Yes tras 30 años de ausencia y en 2011 se les unió Horn, esta vez como productor. Para el disco que hicieron decidieron rescatar "We Can Fly From Here" del olvido y la reconstruyeron, haciendo de ella una pieza épica de más de 20 minutos. El disco lo titularon Fly From Here.

viernes, 26 de junio de 2015

Buggles - I Am A Camera



Originalmente publicado el 14 de agosto 2014.


La historia del dúo británico The Buggles es una de las más extrañas en la historia de la música new wave. Después de lanzar su super exitoso primer disco en 1979, sus dos integrantes- Trevor Horn y Geoff Downes- se unieron al legendario grupo de rock progresivo Yes y grabaron el disco Drama en 1980. En 1981 se separaron de Yes y se reincorporaron como The Buggles, grabando el disco Adventures in Modern Recording.

Esta canción, "I am a Camera", fue originalmente grabada por Yes en Drama bajo el título de "Into the Lens".

Según la sagrada Wikipedia:

The line "I am a camera" is a quote from Christopher Isherwood's Goodbye to Berlin (1939). The full sentence reads, "I am a camera with its shutter open, quite passive, recording, not thinking." There was also a play (1951) and subsequent film (1955) based on the novel under the name I Am a Camera.

lunes, 22 de junio de 2015

Yes- Trevor Horn Concert 2004 (HQ)



Uno de los mejores momentos del concierto en homenaje a Trevor Horn en 2004 fue cuando miembros y ex-miembros de Yes subieron al escenario. Horn fue cantante de Yes en 1980, y luego en 1983 fue productor del disco más exitoso de la banda, 90125. De hecho, fue uno de los compositores del super éxito radial "Owner of a Lonely Heart", la única canción de Yes en haber llegado a #1 en la lista de Billboard.

En este video pueden ver los veteranos de Yes Allan White, Chris Squire, Trevor Rabin, Steve Howe y Geoff Downes interpretando la pieza instrumental "Cinema", la introducción de "Make it Easy", y por último "Owner of a Lonely Heart".

lunes, 17 de febrero de 2014

Yes - Run Through The Light



Originally posted on January 20 2014 / Publicado originalmente el 20 de enero 2014

“Run Through the Light” by Yes is a beautiful and unusual track from Drama, definitely the band's oddest album. Released in 1980, Drama is the first Yes album done without founding member and lead singer Jon Anderson, the first one to have Geoff Downes on keyboards, and the only one to feature Trevor Horn on lead vocals  At that point, bassist Chris Squire became the only remaining founding member and the only one to have participated in all of the group's recordings and tours until then.

“Run Through the Light” is unique and unusual in the band's 40 year history for two reasons. First, it is the first Yes track ever to feature someone other than Chris Squire on bass, and the only Yes track which had Trevor Horn playing that instrument in Squire's stead. Second, the handiwork of session assistant Hugh Pagdham is particularly evident in this track. Pagdham would in later years become famous for producing for Phil Collins and Genesis, and is credited with developing Collins' famous gated drum sound. Just check out Allan White's drum sound in this track.

The instrumental towards the end of this song is one of the group's finest moments.

"Run Through the Light", de la banda Yes, es una bella e inusual canción del disco Drama, el cual es de por sí el disco más anómalo que ha hecho el grupo. Lanzado en 1980, Drama fue el primer disco del grupo sin el cantante y miembro fundador Jon Anderson, el primero con el tecladista Geoff Downes, y el único con el cantante Trevor Horn. El bajista Chris Squire se convirtió entonces en el único miembro de la banda en haber participado de todos sus discos y giras.

La canción "Run Through the Light" es única e inusual en los 40+ años de vida de Yes. Primero, es la primera canción que graban sin Squire tocando el bajo- el bajo lo toca Horn, de hecho es la única ocasión en que Horn toca el bajo con Yes. Segundo, la aportación técnica del asistente de grabación Hugh Pagdham es evidente en esta canción particular. Pagdham luego se haría famoso produciendo discos de Genesis y Phil Collins. A él se le atribuye el haber desarrollado el famoso "gated drum sound" de la batería de Collins. Oigan bien como suena la batería de Alan White en esta canción y se darán cuenta.

La parte instrumental hacia el final de esta canción es uno de los mejores momentos en la historia de Yes.