A bilingual blog by Carmelo Ruiz-Marrero dedicated to all things fun, like music, cinema, comedy and sci-fi. Contact: ruiz@tutanota.com - Un blog bilingüe de Carmelo Ruiz Marrero dedicado a todo lo que sea divertido, como música, cine, comedia y ciencia ficción. Contacto: ruiz@tutanota.com
Mostrando entradas con la etiqueta Soundcloud. Mostrar todas las entradas
Mostrando entradas con la etiqueta Soundcloud. Mostrar todas las entradas
martes, 23 de agosto de 2016
Sound Motives episode 3: Mala (Deep Medi/Brownswood)
https://soundcloud.com/soundmotives/episode-3-mala
Earlier this summer, I had the chance to speak with Mala, a DJ, producer, promotor and record label owner from south London, who over the last decade, has played a central role in the development of the dubstep scene. Both his own productions as Mala, and those as Digital Mystikz alongside Coki, are sited as some of the key releases that defined those early days of the genre, and his record label, Deep Medi, has catalogued releases from many of the scene's innovators over the past 10 years. His now legendary club night, DMZ, alongside FWD, has played a seminal role in incubating the genre from it's early form through to today.
Despite dubstep's ever-morphing progression and partial shift into the mainstream through EDM, Mala has remained true to his own personal vision. He's expanded his horizons, and developed both as an artist and a person through his solo album projects which explore the musical and cultural traditions of other countries, firstly Cuba in 2011, and now Peru, fusing them with his south London sound system-focused productions.
In this episode of Sound Motives, we explore Mala's early influences from jungle to Augustus Pablo, his perspectives on the emergence of dubstep, his relationship with the dance floor and club culture, and how the future looks.
- Sound Motives
domingo, 19 de julio de 2015
Nmesh, un brutal DJ set de dos horas
https://soundcloud.com/factmag/fact-mix-504-nmesh-july-15
For more information/tracklist head here: www.factmag.com/2015/07/13/fact-mix-504-nmesh/
There isn’t anything quite like getting lost in the foggy, twisting works that Alex Koenig makes as Nmesh.
His albums — 2013’s Nu.Wav Hallucinations and 2014’s Dream Sequins — were sprawling, overwhelmingly dense collage pieces made from commercials, samples from the depths of YouTube, and synth textures that ran from silly elevator Muzak to bad trip psychedelia to moments of startling beauty. As you stumbled through those sonic labyrinths you’d encounter others — disembodied voices, drifting through like ghosts. The chatter could shift from mundane to hilarious, from terrifying to emotionally resonant.
Still, his albums are laser-focused compared to the impossibly huge worlds Koenig builds on his mixes. His 260-minute (that’s 4.20 in hours) Welcome To The Warp Zone mix for TinyMixTapes moved through each of its extended thematic sections like some kind of giant, slow-breathing beast. It was an easy pick for our Bandcamp Release Of The Month — but more importantly, it was a clear sign that we had to get this guy to do FACT mix.
So now at just a single second over two hours, we present this double-wide FACT mix from Nmesh. It’s a hell of a ride, with a generous double-dip of LSD and all the peaks and valley that come with that. Here you’ll find the sonic trickery of iconic plunderphonics originator John Oswald holding court with anonymous vaporwave producers while Hype Williams and James Ferraro nestle in with Raymond Scott. It ties all these voices — young, old, dead, legendary, undiscovered, anonymous — together into a legacy of sonic adventuring with Koenig as a welcome host.
miércoles, 15 de julio de 2015
miércoles, 17 de junio de 2015
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