viernes, 31 de octubre de 2014
From Wikipedia, the free encyclopedia
Tolgahan Çoğulu (born in 1978, Turkey) is a Turkish classical guitarist, arranger and designer of the adjustable microtonal guitar. He built a unique repertoire of works for microtonal guitar by arranging Anatolian folk music and Ottoman maqam music and by commissioning the leading and emerging composers.
jueves, 30 de octubre de 2014
From Wikipedia, the free encyclopedia
John Renbourn (born 8 August 1944, Marylebone, London, UK) is an English guitarist and songwriter. He is possibly best known for his collaboration with guitarist Bert Jansch as well as his work with the folk group Pentangle, although he maintained a solo career before, during and after that band's existence (1967–1973).
While most commonly labelled a folk musician, Renbourn's musical tastes and interests take in early music, classical music, jazz, blues and world music. His most influential album, Sir John Alot (1968), featured his take on tunes from the Medieval era.
The Lady and the Unicorn is the 1970 solo album by British folk musician John Renbourn. On this release, Renbourn ventures into folk rock and medieval music territory. The first four tracks are arranged from the Add MS 29987 manuscript. The cover was taken from the The Lady and the Unicorntapestry.
miércoles, 29 de octubre de 2014
martes, 28 de octubre de 2014
lunes, 27 de octubre de 2014
jueves, 23 de octubre de 2014
Tomas Palermo is a San Francisco-based DJ and music curator, and has written for XLR8R, SF Weekly, United Reggae, and other publications. He loves playing reggae vinyl, 10-mile runs in Golden Gate Park, and Papalote’s prawn tacos.
“…we have to be like a rub-a-dub soldiers, fighting to keep the rockers’ music alive.”
From a Little Reggae Shop in Tokyo…
At Naoki Ienaga’s Dub Store reggae specialty shop in Tokyo’s Shinjuku district, no detail in preserving reggae music history goes unnoticed. Even their in-house sound system is pure vintage: an Altec amplifier, mixer and speakers, a Studer 2-track tape deck and an RCA dubplate cutting machine. It’s physical proof of Dub Store’s serious respect for Jamaican music. The same level of attention to crucial aesthetics has informed Dub Store’s extremely active reissue series, which has seen close to one hundred rare and out-of-print titles brought back into circulation on both vinyl and digital formats.
The music Dub Store chooses to present is exquisite. From psychedelic, soulful sides on Derrick Harriott’s Crystal label, to ram-jam dancehall scorchers from King Jammy$ label, Dub Store has tapped into the deepest diamond mines of vintage Jamaican music. The sleeves and artwork are also above par. Thick cardboard jackets, vivid inks and original label art adorn their releases. It’s as you’ve discovered a mint copy of your most sought-after tune in a dusty Kingston basement. Imagine the thrill of hearing Lynn Taitt’s sparkling, rocksteady guitar licks for the first time, or obscure 1980s dancehall jams from Robert Lee or Carl Meeks. Dub Store releases definitely induce goosebumps for the devoted reggae fan.
TO READ THE REST AND CHECK OUT MORE MUSIC:
miércoles, 22 de octubre de 2014
00:00 / 01:32:55
Bandcamp Weekly Strong and Independent
Alice Russell drops by to talk about her new single and pick faves from 15 years of Tru Thoughts records. Detroit MC Ahk chats about his new concept record, we rock out with Bloods and Luke Sweeney, plus peek at Ninja Tune's fall lineup, including new tracks by Bonobo, Machine Drum, and Dorian Concept.
15 de octubre 2014
El polifacético y multitalentoso músico, DJ y etnomusicólogo Jace Clayton presenta su fascinante embeleco Sufi Plug Ins.
Jace Clayton presents on his Creative Capital project "Gbadu and the Moirai Index" at the 2013 Artist Retreat. Find out more about his project here: http://creative-capital.org/projects/...
lunes, 20 de octubre de 2014
Host Bob Boilen kicks off this week's show with a buzzing song from Toronto-based The Rural Alberta Advantage's new album, Mended With Gold. Inspired by the track's killer percussion, Robin Hilton shares the neurotic, upbeat "Paradise Girls" from Deerhoof's upcoming album La Isla Bonita, out Nov. 3.
Alt. Latino's Felix Contreras joins Bob and Robin in the studio to discuss Helado Negro, an artist who caught Bob's attention opening for Sinkane earlier this month. Felix and Bob share a lush, spacey cut from the singer's new album, Double Youth. Bob takes things in a different direction with Hozier's nod to R&B legend Jackie Wilson, "Jackie and Wilson," followed by English punk-duo Sleaford Mods' stark rant, "The Committee."
Next, Robin gets lost in a gripping ambient track from Bing & Ruth's provocatively titled upcoming album, Tomorrow Was The Golden Age. We close the show with a dreamy cut from Norwegian electronic-duo Röyksopp's final album, The Inevitable End.
13 de octubre 2014
On September 2011, Hassan Wargui (Imanaren) from south Morocco met the group Nettle from New York City in Tangiers. A week of collaborative songwriting and recording led up to a concert outside the Cinematheque de Tanger in the medina. This is "L'Avion", one of the songs they wrote during this time.
Nettle es un proyecto de Jace Clayton/DJ Rupture.
domingo, 19 de octubre de 2014
Imagine all artists are told by the art industry that 12 standard colors are enough for their art, and there is never a need to tint or shade or mix colors. Practically speaking, this is the situation which exists in the music world today. 12 equally spaced pitches per octave are the default modern music industry standard, but 12 pitches represent less than 5% of the pitches that the average person is capable of responding to. Research has proven that on average, around 200 different pitches can be heard within one octave, and like unique colors, they all have unique effects; many more than 12 of them sound "good"; in fact, they are all expressive and useful for art. Imagine what kind of new music is possible when all of the pitches are available...
Express yourself more personally.
Hπ Instruments is founded on the premise that you should have the freedom to choose any pitches you want to make music with, not just the 5% the music industry has decided on for you. Hπ products exist to give you this freedom. To hear some examples of music made using Hπ products, visit the music, TBX1 videos, and Tonal Plexus videos pages.- Taken from the H-pi web site.
Have you ever tried to cram five million MIDI notes into a two-minute composition? No, of course not. That would be impossible.
Or would it?
You can thank the wonders of modern processing speed for the Internet’s new weird micro-genre, a YouTube phenomenon known as “Black MIDI." Imagine the bastard love child of Mozart, Steve Vai, and Final Fantasy, or the sound of a million pianos being run through a blender, or a nightmarishly, impossibly difficult game of Dance Dance Revolution being played by aliens on amphetamines. That's what Black MIDI sounds like.
sábado, 18 de octubre de 2014
The harpejji is a member of a small family of stringed musical instruments known as tapping instruments. Tapping instruments are descendents of the electric guitar but are optimized for a style of playing that involves tapping on the strings to produce a note. One of the primary benefits of this style of playing is that it only requires one finger to make each note, unlike strumming which requires at least one finger on each hand to make a note.
Ionosfera, Carmelo's new thing
Veteran Puerto Rican blogger Carmelo Ruiz-Marrero started a fourth blog last January: Ionosfera (http://ionosferamusic.blogspot.com/). This particular web project is an online resource dedicated to music, comedy, film and science fiction. "Ionosfera is the name of a proposal that I presented to the music programming department of the University of Puerto Rico's radio station WRTU at least a decade ago, but I never heard back from them".
Ionosfera is mostly music, and has an eclectic offering, which spans from links to specific episodes of NPR shows All Songs Considered and Alt-Latino, podcasts like Bandcamp Weekly, Six Degrees Traveler and Machtdose, and DJ sets featured in Resident Advisor and dublab, to classic prog rock from bands like Genesis, Yes and Saga (and side projects of their current and former members), Bandcamp compilations of African and Brazilian pop, and music from the most diverse artists, like Ana Tijoux, Calle 13, Aimee Mann, Groove Collective, José Feliciano, Kansas, Terry Bozzio, Chick Corea, Ralph Towner, Pat Metheny, Brian Eno, Laraaji and Philip Glass. Besides music, there's also comedy (Portlandia, Aubrey Plaza, Flight of the Conchords, The Simpsons, Awkward album covers), and campy sci-fi (Star Wars, Space 1999, The Six Million Dollar Man).
"In this blog I archive and share all that I consider fun, and so keep all these items separate from my 'serious' work on politics and ecology", said Ruiz-Marrero. Few of his readers would even imagine that his first formal education was not in journalism or ecology, but in music. In 1984 he attended Berklee College of Music in Boston, USA. "I turned 17 over there. I was the youngest student there at the time- Believe me, I asked around". In 1991 he graduated from the UPR Humanities faculty, where he majored in music. After that he spent some years in Vermont, where he hosted and produced programs for community radio station WGDR. Upon returning to Puerto Rico he joined the staff of the Claridadweekly newspaper, where he wrote about music- among many other subjects-, reviewed records and concerts, and interviewed artists. "I covered everything from Rush, Chris Botti and Windham Hill to David Torn, Michael Brook, Cultura Profética, Fiel a la Vega and Gema y Pável."
I'm thinking of expanding Ionosfera to include Facebook and Twitter accounts and who knows, maybe starting a podcast someday."
viernes, 17 de octubre de 2014
“Make no mistake, ccMixter is the complete package. No other remix site commands the same level of respect amongst musicians, producers and content creators.”
Dave’s Imaginary Sound Spaces
ccMixter is an international community of 40,000 musicians. We create all original pells and samples and then co-create completed tracks collaboratively — all licensed under Creative Commons. You can listen to, sample, and interact with our music. Read more in our forums.
Musicians? Explore new samples and pells for download and upload your own version to ccMixter. Listeners, creators? Discover our hottest new music on dig.ccMixter.org to use in your videos, games and podcasts. All legal. All you need do is Attribute.
jueves, 16 de octubre de 2014
TO READ THE FULL ARTICLE:
A musical journey through the world of tones, sounds and noises: with Manfred Eicher, the outstanding producer of contemporary music.The film traces his life at concerts, in recording studios, in back rooms and off the beaten path witch such musical contemporaries as Arvo Pärt, Dino Saluzzi, Jan Garbarek, Eleni Karaindrou, Anouar Brahem, Gian Luigi Trovesi, Kim Kashkashian, Nik Bärtsch, Marilyn Mazur and many others.
miércoles, 15 de octubre de 2014
In the Studio: Chancha Via Circuito
- Words: Jace Clayton
- Photo: Mauro Balzarotti
Back in 2007, those looking to find Pedro Canale, the musician who records as Chancha Via Circuito, could most easily find him sitting in the back at Zizek, a weekly club night in his hometown of Buenos Aires, Argentina. (The night would eventually spawn a label and is known these days as ZZK.) There was a party goin' on, but underneath the noise and flash sat Chancha, patiently manning the merch table and selling a handful of releases from local producers and DJs. The best thing on offer happened to be the smallest item on the table: his own debut EP, which was only available as a 3" mini CD-R. Those five exquisite songs shaped fragments of South American folk into lucid-dream beat loops, the music aware of contemporary electronic production trends and a dubwise approach to space, but not beholden to either. While many of his peers in the emergent Buenos Aires scene were making mashups or cumbia dancefloor edits, Canale was crafting subtler tunes, unhurried combinations of bass, drums, and melody that seemed simple but always left the room's air charged with energy.
Seven years later, Canale is still building songs that widen to create spaces. He has no need for big drops or other dancefloor rush dynamics. Many tropical bass producers rely on splicing traditional sounds into the current hot genre—today, the rootsy Afro-Colombian female acapella gets the trap remix, two years back, it got the moombahton remix, a couple of years before that, it got the cumbia remix… and so on. People call this style of global swirl homage, but more often than not, it's a paternalistic turn, one that treats indigenous music as raw material, something that's authentic but insufficient, a resource to be extracted then improved by a stacked synth bassline or an 808 kick-and-snare combo.
Chancha Via Circuito's music takes another tack. He understands that folk music in Latin America is sustenance for those who live it, and is therefore less concerned with sonic newness than he is with maintaining a groove and communicating a sense of pride in place. And the places Canale creates are oneiric, placid, and haunted by unlikely perspectives, like the jungle paintings of proto-Surrealist Henri Rousseau or, closer to home, the Rousseau-inspired, ayahuasca-lit illustrations by Paula Duro that accompany all of his music.
Canale's studio becomes the arena where he negotiates this respect for traditional sounds and the natural world with the infinite possibilities of digital music production. On the one hand, he uses shockingly realistic German sample packs to play Andean flute melodies. On the other, he'll get up before dawn to climb Mayan pyramid ruins in Belize, digital recorder in hand, because that's when the monkeys do their most otherworldly howling. Canale is a producer who keeps a weathered African balafon next to his laptop to remind him not to fall into the computer's flattening world, and does some of his finest work in the magic pair of hours when his studio receives direct sunlight. The goal is balance.
martes, 14 de octubre de 2014
WFMU and the Free Music Archive are proud to present a new season of Radio Free Culture, a weekly podcast exploring issues at the intersection of digital culture and the arts. This episode completes the Player Piano: The First Digital Music Revolution two-part show. Get your history fix this week via your newfangled technology!